This third of Hare’s novels came out during the final year of an era known (semi-officially, at least) as the Golden Age of detective fiction, and it bears the telltale marks of that period. It’s a loose-jointed romp that draws on familial tensions and technical points of law, as well as physical and circumstantial clues, to build a pattern of mystification around a narrow group of suspects. At a country inn full of respectable people, each of whom has something to hide, a guest dies one morning from the ingestion of poison and apparently by his own hand. Because the victim’s insurance policy bars payment in the event of suicide, a coroner’s ruling to that effect means destitution for several surviving family members. The dead man’s son and daughter, along with the daughter’s fiancé, therefore undertake to prove that the cause of death was murder. (Circumstances foreclose the possibility of an accident.) Through their adventures in amateur detection, these three would-be beneficiaries stir up clouds of suspicion—and provide a steady source of amusement for readers—but they uncover no conclusive evidence. So it falls to Inspector Mallett, an exemplar of professional calm who has been observing the trio from just off-stage, to see the case through to its final twist.
CYRIL HARE. Suicide Excepted (1939).